Schumann’s Piano Concerto captivates the listener from the very first beat: a single orchestral cue, and the piano is unleashed. The seasoned listener knows exactly what to expect—except when Martha Argerich is the soloist, for under her hands, this oft-performed music sounds as if it were brand new. “Incredibly good,” as de Volkskrant recently noted: “a living legend, in the truest sense of the word.”